If you are a reader, editor, publisher, or potential interview subject looking for some of my published magazine & newspaper articles or online works from Victoria, Carousel, Impassio Press and more - you have found the repository.
If you are a TV/film history fan or scholar looking for Supporting TV Cast, click on the link.
However you came here,
I hope you find something fruitful.
~ FW
All portions of the analysis of Roald Dahl's short story - Summary, Characters, Literary Devices, Quotes, and Further Study/in Context - are authored by me (with the exception of the Historical Context section.)
Saratoga Race Course in Saratoga Springs is one of the gems of New York state - and not a particularly hidden one. What makes Saratoga "off the beat” is the quirkiness of horse racing itself.
The stunning turn-around in this year's Kentucky Derby, with the first disqualification due to a flub during the race ever in its 145 year history, resulted in a whopping 65 to 1 longshot being declared the winner. That race in May in Kentucky threw emphasis, for fans and non-fans alike, on the perpetual truth that in all of life - and especially in horseracing - it's always anything-can-happen-day.
Sometimes nicknamed the House of Upsets, Saratoga Race Course releases its racing season from the starting gate this year on July 11...
...If a horse you thought you were going to favor turns out to look droopy or perturbed, etc., you might want to change your mind - and there's still time at that point to trot over to the parimutuel window and smack down your bet on one who looks more like he's got game.
For those unfamiliar with the sport, let me point out that one feature of gambling in horseracing that is delightfully different from most gambling in a casino is, in horseracing, patrons are not betting against the house. They are betting against the perceptions, instincts, and calculations of all the other bettors.
...That's a good place to start handicapping (calculating a horse's probability of winning) if a novice wants to move beyond choosing a horse because the name is appealing or because a pointed finger, descending through the air in front of closed eyes, landed on the name of a random mount in the program.
…When asked about the human figure as a recurring image in his work, often in fragmented forms, Don responds, “We deal with the figure in figural terms.” Then he lets his thoughts putt-putt out in words that may, or may not, congeal into a communicative mass. “The figural is the broad aspect of,” he pauses, “what the figure is in its life and living as opposed to being the body… let’s see. If, you know, it goes back to Descartes and mind and body. I mean, you’re always,” he pauses again, “the body’s interesting, I mean,” and here, finally, the thoughts congeal: “I think it has a lot to do with the fact that I was born into a certain kind of family. My mother had a lung removed when I was about 8 years old. That was like 72 years ago so that wasn’t an easy operation. She had to work hard. She worked at the local Air Force base because my father,” he says parenthetically, “that’s a whole other story… She would regurgitate; there’d be bottles of blood and they’d be [congregated] on her nightstand. So that gave me a really potent sense of the body.”
Does beauty play a part in his work? DeMauro says he has “mulled over” that a lot. He then goes in circles to touch on Francisco Goya, darkness, the poet Neruda, the fact that “beauty” is an awkward word - and ends up never answering the question.
I was just trying to support the “little guy.” I never meant to end up in the kind of motel room in which most people would say they wouldn’t be caught dead.
The TV, an advertised featured amenity, was a massive, ancient, wooden-framed console that was disproportionate to the cramped room. It lurked awkwardly near the bed. The bed itself looked okay; the sheets looked clean (I peeked underneath the flimsy comforter). But there was no closet. Instead, wire hangers dangled from a saw-toothed swing arm bolted to the wall. (I kept thinking how angry those hangers would have made Joan Crawford…)
…I’m certain the manager never believed we were married – well, not to each other, at least – and probably peered at our flight through the corner office window, thinking that hair rollers on a rendezvous had been a tacky touch.
I once asked an ornithologist friend how birds who do not migrate in winter manage to stay warm. She said they fluff up and circulate the warm air through their feathers. Since humans don’t have this option, I was a little surprised to find myself leaving my cozy bed before sun-up one December morning to join a group of birdwatchers I had never met and spend a long day in the frozen countryside, counting bird species – but it was time for the Audubon Society’s annual Christmas Bird Count.
On Christmas Day in 1900, 27 conservationists, concerned about the preservation of birds, set forth from their homes to try the relatively new invention of binoculars and see how many birds they could sight and identify in one day – the first official Christmas Bird Count. The Audubon Society has held the bird count ever since…
Classical music doesn’t bite.
Afraid to attend a classical concert? Well, as one musician visiting Wilkes-Barre recently advised, “Just sit and see what happens, even if you daydream during the music. We don’t care if you clap between the movements.”
Those last words may seem sacrilege to the well-initiated classical music concertgoer. For those who hesitate to take part in the experience, however, for those who may not even realize that this music is written in “movements” - sections of a composition roughly equivalent to chapters of a book – this was the advice of Loretta O’Sullivan, cellist with the Four Nations Ensemble, a chamber ensemble with national reputation…
…coming off a concert “high” and after Plummer’s sobering words, Barbara Morris, a frequent Four Nations concertgoer, was enjoying her luncheon when suddenly she said to her companions, “What would we do, where would we be without music?”
She stopped chewing, thought for a moment, then visibly shivered. No one wanted to answer the question.
A long stint recently as staff writer and columnist for Triple Cities Carousel newspaper - an upstate New York monthly - kept me covering arts and culture. I have been an editor/writer on the arts in New York City and a contributing writer or feature correspondent for magazines and newspapers in the US and Canada. My work also appears in American small press and online.
I am probably the least important actor in the IMDb (the Internet Movie Database), appearing in only one motion picture, an indie, in an embarrassing role. I had to write my own bio there.
For 8 years I taught Speech and Oral Interpretation of Literature at the American Academy of Dramatic Arts - the nation's oldest drama school. My students there included Enrico Colantoni, a film actor probably best known for his prolific television work as a regular on such series as Veronica Mars, Bad Blood, and Person of Interest; Joanna Going of cinema together with TV appearances on series such as Law & Order: SVU and Mad Men; and Max Casella of The Marvelous Mrs. Maisel, The Sopranos and frequent motion picture roles; and a few other notables - I think. I don't remember. (Please get in touch with me if you were a student of mine whom I should be crowing about.)
Enjoy a visit to the growing treasury at my website devoted to underrecognized character actors, Supporting TV Cast.
A graduate of Carnegie-Mellon University, School of Drama; mother of two; grand-mère of two; wife of one.
There are many excellent actors who have contributed so much to cinematic and television arts that their names should be far more recognizable.
I have created a repository to help remedy that imbalance.
So, whether to learn more about Edward Binns (pictured above) – including some of the many places from which you know him – or to see just how much these “character actors” have affected the face of film and TV, you can go to my other site and learn more.
An analytical review neither great nor awful - just analytical - of an extremely short essay. Review by Rufo Quintavelle in Nth Position Online Magazine:
...even after editing, many of these pieces still don't feel fragmentary. Take this from Felicia Waynesboro:
"My husband is white and was raised Mormon. He says that everything he was taught about persecution, which the Mormons suffered mightily, was meant to teach him to have faith. I am black and I say that everything I was taught about persecution was meant to teach me to have rage. Yet it is he who has developed the greater portion of rage and I who have developed - not faith but - the greater portion of tolerance and empathy. We have each been taught poorly."
This is an interesting observation but can an anecdote told in grammatically complete sentences and which even goes so far as to draw a conclusion really be considered as fragmentary?
Order from Amazon Order from Impassio PressOut of print but still unique. Felicia's entry ends this quirky collection with the story of a young actor's hobby that seems morbid - but isn't.
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